
- Alma Oppressa (La Fida Ninfa) – Vivaldi
- Combattuta da due venti (Giova in Argo) – Handel
- Hornpipe In D Minor (The Fairy Queen) – Purcell
- Mark How Readily Each Pliant String (Raise the Voice) – Purcell
- Felicissima quest’alma (Apollo e Dafne) – Handel
- Come in ciel benigna stella (Apollo e Dafne) – Handel
- Curtain Tune on a Ground (Timon of Athens) – Purcell
- Furie Terribili (Rinaldo) – Handel
- Tornami a vagheggiar (Alcina) – Handel
- Hornpipe In G Minor (The Fairy Queen) – Purcell
- O Let Me Forever Weep (The Fairy Queen) – Purcell
- See, even Night herself is here (The Fairy Queen) – Purcell
- Restino imbalsamate (La Calisto) – Cavalli
- O Piu d’ogni Ricchezza (Gli Amori d’Apollo e di Dafne) – Cavalli

Enchanted Forest, Arias by Purcell, Handel, Vivaldi, Monteverdi and Cavalli with Anna Prohaska, Deutsche Grammophon
‘Anna Prohaska may not yet be a household name in the UK, but I think she may became one . . . [her voice] has a seductive softness right from top to bottom. And her technique is absolutely rock-solid, however many leaps and trills the composer flings at her . . . Though Prohaska dominated the stage in her spreading Burgundy-coloured gown, she didn’t dominate the music-making. This was a real partnership of equals, the band’s contribution every bit as colourful and expressive as the soloist’s. ‘ (Ivan Hewett, The Daily Telegraph)’Sensitively accompanied by Jonathan Cohen’s ensemble Arcangelo . . . Prohaska attacks the songs with elegant daring, employing an unusual swaying delivery for Cavalli’s “O Più d’ogni Ricchezza”; but she’s most powerfully showcased on Vivaldi’s “Alma Oppressa”, a warning against combatting melancholy with love. ‘
Andy Gill, Independent
‘. . . superlative backing from Jonathan Cohen’s instrumental group Arcangelo . . . delicate tone, exuberant ornamentation and echo effects in a wonderful Cavalli aria . . . ‘
Richard Morrison, The Times
‘She’s wonderful in 17th-century music, spinning out the lines of a Purcell chaconne and negotiating Cavalli’s recitatives-cum-ariosos with impeccable understanding and style . . . Arcangelo under Jonathan Cohen are breathtaking throughout. ‘
Tim Ashley, The Guardian

- Alma Oppressa (La Fida Ninfa) – Vivaldi
- Combattuta da due venti (Giova in Argo) – Handel
- Hornpipe In D Minor (The Fairy Queen) – Purcell
- Mark How Readily Each Pliant String (Raise the Voice) – Purcell
- Felicissima quest’alma (Apollo e Dafne) – Handel
- Come in ciel benigna stella (Apollo e Dafne) – Handel
- Curtain Tune on a Ground (Timon of Athens) – Purcell
- Furie Terribili (Rinaldo) – Handel
- Tornami a vagheggiar (Alcina) – Handel
- Hornpipe In G Minor (The Fairy Queen) – Purcell
- O Let Me Forever Weep (The Fairy Queen) – Purcell
- See, even Night herself is here (The Fairy Queen) – Purcell
- Restino imbalsamate (La Calisto) – Cavalli
- O Piu d’ogni Ricchezza (Gli Amori d’Apollo e di Dafne) – Cavalli