After graduating in Archaeology and Anthropology from St John’s College, Cambridge Iestyn Davies   studied at the Royal Academy of Music, London.

His operatic engagements have included Ottone (L’incoronazione di Poppea/Monteverdi) for Zürich   Opera and Glyndebourne Festival Opera; Arsace (Partenope/Handel) for New York City Opera;   Oberon (A Midsummer Night’s Dream/Britten) for Houston Grand Opera, English National Opera   and The Metropolitan Opera, New York; Apollo (Death in Venice/Britten) for English National   Opera and in his house debut at La Scala, Milan; Hamor (Jephtha/Handel) for Welsh National   Opera and Opera National de Bordeaux; Steffani’s Niobe at the Royal Opera House, Covent Garden;   his debut at The Metropolitan Opera Unulfo (Rodelinda/Handel) where he has also appeared as   Trinculo The Tempest; the Lyric Opera of Chicago in Rinaldo; Bertarido Rodelinda for English   National Opera and his debuts at the Opéra Comique and the Munich and Vienna Festivals in George   Benjamin’s Written on Skin.

His concert engagements have included performances at the Teatro alla Scala, Milan with Dudamel,   the Concertgebouw and Tonhalle with Koopman and at the Barbican, Théâtre des Champs-Élysées,   Lincoln Centre and at the BBC Proms in the Royal Albert Hall with orchestras that include the Bournemouth Symphony Orchestra, London Philharmonic, Britten Sinfonia, Concerto Köln, Concerto Copenhagen, Ensemble Matheus, the Orchestra of the Age of Enlightenment, Academy of Ancient Music and Scottish Chamber Orchestra. He recently made his debut, in recital, at Carnegie Hall, New York. He enjoys a successful relationship with the Wigmore Hall, where, in the 2012/13 season, he curated his own Residency.

Future engagements include the title role in Rinaldo at the Glyndebourne Festival; concerts with the New York Philharmonic and the Cleveland Orchestra; and returns to Glyndebourne, the Royal Opera House, Covent Garden and the Metropolitan Opera, New York.

His recordings include two versions of Handel’s Messiah (New College Oxford, AAM/Naxos) and (Polyphony, Britten Sinfonia/Hyperion), Handel’s Chandos Anthems on Hyperion, Handel’s Flavio for Chandos with The Early Opera Company and Christian Curnyn, Bach’s Easter Oratorio with Retrospect Ensemble, his debut solo recording Live at the Wigmore Hall with his own Ensemble Guadagni, a disc of Porpora Cantatas with Jonathan Cohen and Arcangelo, an award winning disc of works by Guadagni for Hyperion, a CD of arias written for Guadagni, also for Hyperion and a disc of Handel arias with The King’s Consort for Vivat. DVD recordings include Ottone (L’incoronazione di Poppea) for Glyndebourne Festival Opera under Emmanuelle Haïm on DECCA, the Spirit in Purcell’s Dido and Aeneas for the Royal Opera House with Hogwood on Opus Arte and Unulfo (Rodelinda) for the Metropolitan Opera under Harry Bicket on DECCA. His new CD The Art of Melancholy, a recital of songs by Dowland, was released in April 2014 by Hyperion.

He is the recipient of the 2010 Royal Philharmonic Young Artist of the Year Award, the 2012 Gramophone Recital Award and the recipient of the 2013 Critics’ Circle Awards for Exceptional Young Talent (Singer).